In the forests of the night; What immortal hand or eye, Could frame thy fearful symmetry? In what distant deeps or skies, Burnt the fire of thine eyes?
Prose of Augustan Age 4. Drama of Augustan Age 4. Novel during Augustan Age 4. After studying this unit the students will locate the prescribed text into the literary period and understand the text in the light of the Augustan Period.
In literature this period is known as the Augustan age. This epithet serves to bring out the analogy between the first half of the eighteenth century and the Latin literature of the days of Virgil and Horace.
In both cases writers were largely dependent upon powerful patrons. In both case a critical spirit prevailed. In both cases the literature produced by a thoroughly artificial society was a literature, not of free creative effort and inspiration, but of self-conscious and deliberate art.
Some remarkable political and social changes began to take place in England during the closing years of William III and the accession of Queen Anne That had a great impact on the development of literature during this period.
The literature of this era was partly new and partly a continuance of that of the Restoration. This age may be divided into two periods: The period of transition is also known as the Age of Gray and Collins.
Their political opinions and programmes were sharply divided. The Whig party stood for the pre-eminence of personal freedom and the Tory party supported the royal Divine Right.
The Tories objected to the foreign wars because they had to pay taxes to prolong them, while the trading class Whigs favoured the continuance of war because it contributed to their prosperity.
In order to propagate their ideologies and programmes both the parties utilised the services of literary men. And the politicians bribed the authors to join one or the other political party. The politicians took the authors into their confidence.
Thus began the age of literary patronage. Consequently, most of the writers showed a strong political bias. It was, in other words, a party literature. Literature was hounoured not for itself but for the sake of the party.
The politics of the period helped to make it an age of political pamphleteering. And the writers were too willing to make the most of it. In order to get prominence in political struggle both parties issued a large number of periodicals.
The periodicals were the mouthpieces of their respective political opinions. Thus began the age of journalism and periodical essay. The rise of periodical writing allowed great scope to the development of the literary talent of prose writers of the time. The real prose style— neat, simple, clear and lucid— was evolved during this period.
In the words of Albert: A number of clubs and coffee houses came into existence. They became the centres of fashionable and public life. The Coffee houses were dominated by either of the parties.
The Coffee houses were the haunts of prominent writers, thinkers, artists, intellectuals and politicians. They figured prominently in the writings of the day. The Coffee houses gave rise to purely literary associations, such as the famous Scribblers and Kit-cat clubs.
In the first number of The Tattler, Richard Steele announced that the activities of his new Journal would be based upon the clubs. The discussions in coffee houses took place in polished, refined, elegant, easy and lucid style.
Thus coffee houses also contributed to the evolution of prose style during the eighteenth century. It resulted in a remarkable increase in the number of reading public.Blake’s Songs Of Innocence And Experience Analysis.
In William Blake’s Songs of Innocence and Experience, the gentle lamb and the dire tiger define childhood by setting a contrast between the innocence of youth and the experience of age. A close reading of Blake’s classic poem ‘The Clod and the Pebble’ is a William Blake poem that first appeared in his volume Songs of Experience, the companion-piece to his collection Songs of iridis-photo-restoration.com poem stages a conversation between a clod of clay and a pebble to make a point about the nature of love.
William Blake's The Chimney Sweep and Songs of Innocence and Experience In this essay I will attempt to analyse, compare and contrast the poems 'The Chimney Sweep' from both 'Songs of Experience' and 'Songs of Innocence' which were both written by 'William Blake' in and respectively.
Songs of Innocence and of Experience is the foundation of the work of one of the greatest English poets and artists. The two sets of poems reveal what William Blake calls “the two contrary states of the human soul.” The presentation of these states is deceptively simple, literally childlike in the “Innocence” poems.
William Blake's The Marriage of Heaven and Hell: There are nine known copies of The Marriage of Heaven and Hell, the third of Blake's illuminated iridis-photo-restoration.com was probably begun in and completed in (click on the highlighted plate numbers to see the illuminated pages).
The first poem, also called "The Chimney Sweeper," was published in in a volume called The Songs of Innocence, and you should definitely check out that version, if you're interested in more scoop on chimney-sweeping.
Then in Blake expanded the book and included a whole new set of poems.